m syadoz
2019-08-27 23:03:34 UTC
New estimate power will not be on until 2200. Going out for dinner. Transformer blew during Thunderstorm. 112 houses affected.
Jack Irving is best known for sea urchins. Big ones, like the iridescent tentacled dress he fashioned as a 21-year-old Central Saint Martins-undergrad, once donned by Lady Gaga to the final night of her Artpop World Tour in Paris. Or the bright orange inflatable showpiece he sent down the runway of his February 2017 presentation that, when at full-mast, knocked iPhones from the hands of courtside editors.
Hailing from Blackpool, a beachside resort town which the London-based artist describes as “the Las Vegas of the United Kingdom,” Irving’s sculptural garments retain much of the classic over-the-top glitz of the showgirl costumes synonymous with his hometown. But with a penchant for soothing David Attenborough-narrated documentaries about the deep sea, he’s regularly inspired by the mysterious supernaturality of oceanic creatures — man o’ war jellyfish, feather duster worms, and, of course, sea urchins have all informed aesthetic elements of his work. He grounds these seemingly disparate references with carefully engineered technology.
Coco romack
Jack Irving is best known for sea urchins. Big ones, like the iridescent tentacled dress he fashioned as a 21-year-old Central Saint Martins-undergrad, once donned by Lady Gaga to the final night of her Artpop World Tour in Paris. Or the bright orange inflatable showpiece he sent down the runway of his February 2017 presentation that, when at full-mast, knocked iPhones from the hands of courtside editors.
Hailing from Blackpool, a beachside resort town which the London-based artist describes as “the Las Vegas of the United Kingdom,” Irving’s sculptural garments retain much of the classic over-the-top glitz of the showgirl costumes synonymous with his hometown. But with a penchant for soothing David Attenborough-narrated documentaries about the deep sea, he’s regularly inspired by the mysterious supernaturality of oceanic creatures — man o’ war jellyfish, feather duster worms, and, of course, sea urchins have all informed aesthetic elements of his work. He grounds these seemingly disparate references with carefully engineered technology.
Coco romack